for(;;); (2022)
Graphics for mixtape
Bods (2022)
Sculptures
Series of renders of souvenirs
Hsarcrash (2020)
Master thesis, Piet Zwart Institute
Read Here
This text gazes at the phenomenon of crash.
Observed as a manifestation of vigorous transformation embedded in a period of time. It highlights the limitations of representing these processes with a two-dimensional timeline.
Observed as a manifestation of vigorous transformation embedded in a period of time. It highlights the limitations of representing these processes with a two-dimensional timeline.
Crash (2021)
1080P 6min. (filmed in GTAV)
Filmed in a videogame, this loop is the result of a process of nested
interpolation.
Protagonist and surrounding are merging into one another when
colliding in-game.
The Ornament (2015)
Photograph of Objet Trouvé
Phosphor (2020)
infinite resolution, 16:9, 20min, HTML5
This relatively weightless (892kB) virtual object holds a sum of
meditations on the temporality and spatiality of crashing.
It gazes at disruption from within a space in which protagonist(s),
stage, and camera are merged. Entirely written in HTML and CSS.
Select:
Control:
External Access (and subtitles):
Contraband (2015)
terrace heater, paintball masks, stone, wood, cloth
Touchdown (2021)
1080P, 8min, loop
The final moment of a flight filled with the anticipation of landing
is suspended for eight minutes in this videoloop.
Transforming the video at moments into a still image.
Plague (2016)
PVC, Wood, Industrial Scent Diffusers
A sculpture resembling a deformed fumigation tent that infected Art
Brussels with scent. Four different pre-mixed professional scents were
vaporized at different intervals to provoke different sensations. The
sensation of aversion through the smell of an airplane crash, an aroma
used by the military for immersive training. The sensation of luring
was represented by a copy of the smell used in Abercrombie stores that
is used to lure people in preying on their consumerist nostalgia. The
sensation of something unknown was represented through the smell of
'Space', a pre-mixed cocktail with the scents of rubbing alcohol,
sweat and iron among other things. The sensation of the familiar was
represented by the smell of cola candy, used worldwide as a flavouring
for candy and therefore embedded as childhood memories in our brains.
These smells could have easily been disregarded by the visitors, as
our bodies are conditioned to absorb synthetic olfactory sensations
subconsciously on a daily basis. The machines I used were able to
influence the scent of large industrial halls, and for five days they
vaporized almost pure (95%) aroma into Tours & Taxis, making every
visitor in the end leave Art Brussels wearing my work on their clothes
and skin. This work focused on the shortcomings of us humans to
perceive our surroundings and the immediate treats and influences. The
name of the work and the structure (a fumigation tent) focused on the
idea of outbreaks among humans. Based at Art Brussels in 2016 it
seemed to have become more actual than ever during the pandemic.
Object (2013)
Prop (2014)
Disappear (2017)
Prospects &
Concepts (2016)
Rollers, Tunnelers,
Dwellers (2013)
1080P, 2-channel, 11min
A collaborative project by Lotte Geeven & Ingmar König.
Made possible by: Corrie Osenga, Doenja Likumahua, Lisette Appeldorn,
Tudor Bratu, Ioana Gheorghiu, Andreea Peterfi, Marline van der Eijk,
Isis Bakker, Matea Bakula, Kim van Erven, Marijn Ferier, Agnes
Voskamp, Goof Kloosterman Gerben Boersma, Karina Pálosi, Thi Higashiv,
Marloes König, Eveline Agema and Hotel Mariakapel.
Contraband (2015)
Bystander (2016)
interrogation room installation
An interrogation room that could only be observed through a one-way
tinted window.
Inside this interrogation room a plane surface with 16:9 dimensions floated in the air while red and green lights flashed underneath it such as the lights on the wingtips of airplanes.
A videowork loop was visible as subtitles placed on this surface.The subtitles consisted of sentences taken from interrogators in a famous US airport security reality tv program. Names, gender, geographic destinations and names of substances were taken out and what remained was a toxic abstraction of an interogator talking to a suspect or a camera crew.
Making you as visitor of the fair constantly switch position as bystander from outside that window.
Inside this interrogation room a plane surface with 16:9 dimensions floated in the air while red and green lights flashed underneath it such as the lights on the wingtips of airplanes.
A videowork loop was visible as subtitles placed on this surface.The subtitles consisted of sentences taken from interrogators in a famous US airport security reality tv program. Names, gender, geographic destinations and names of substances were taken out and what remained was a toxic abstraction of an interogator talking to a suspect or a camera crew.
Making you as visitor of the fair constantly switch position as bystander from outside that window.
Bystander (2016)
interrogation room installation
recording
An interrogation room that could only be observed through a one-way
tinted window.
Inside this interrogation room a plane surface with 16:9 dimensions floated in the air while red and green lights flashed underneath it such as the lights on the wingtips of airplanes.
A videowork loop was visible as subtitles placed on this surface.The subtitles consisted of sentences taken from interrogators in a famous US airport security reality tv program. Names, gender, geographic destinations and names of substances were taken out and what remained was a toxic abstraction of an interogator talking to a suspect or a camera crew.
Making you as visitor of the fair constantly switch position as bystander from outside that window.
Inside this interrogation room a plane surface with 16:9 dimensions floated in the air while red and green lights flashed underneath it such as the lights on the wingtips of airplanes.
A videowork loop was visible as subtitles placed on this surface.The subtitles consisted of sentences taken from interrogators in a famous US airport security reality tv program. Names, gender, geographic destinations and names of substances were taken out and what remained was a toxic abstraction of an interogator talking to a suspect or a camera crew.
Making you as visitor of the fair constantly switch position as bystander from outside that window.
Crash (2019)
Detourist (2014)
Rollers, Tunnelers,
Dwellers (2013)
1080P, 2-channel, 11min
A collaborative project by Lotte Geeven & Ingmar König.
Made possible by: Corrie Osenga, Doenja Likumahua, Lisette Appeldorn,
Tudor Bratu, Ioana Gheorghiu, Andreea Peterfi, Marline van der Eijk,
Isis Bakker, Matea Bakula, Kim van Erven, Marijn Ferier, Agnes
Voskamp, Goof Kloosterman Gerben Boersma, Karina Pálosi, Thi Higashiv,
Marloes König, Eveline Agema and Hotel Mariakapel.
Nostalgia (2017)
Four Fitness Benches & videos behind mirrors
Smell of sweat, steel & rubbing alcohol.
A set of four weightlifting benches upholstered with pcv representing
the colors of a flame perceived by the human eye.
Next to every bench a mirror, through these mirrors four different videoloops were visible with footage of the iron industry.
With strong daylight only the glowing white or red liquid steel was rendered visible through the mirror.
The apparatus made for those living somewhere released of physical work. The mirror showing the origin of that apparatus made out of steel. Showed at Nest (The Hague)
Next to every bench a mirror, through these mirrors four different videoloops were visible with footage of the iron industry.
With strong daylight only the glowing white or red liquid steel was rendered visible through the mirror.
The apparatus made for those living somewhere released of physical work. The mirror showing the origin of that apparatus made out of steel. Showed at Nest (The Hague)
The Other Room
(2019)
1080P, 7min, Medcorp production
Prospects &
Concepts (2016)
Prohibited (2015)
anti-pissing triangles made of spandex
The Other Room
april 2019
