Ingmar König


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    I once spent an afternoon at a paintball arena. A place made only for the practice of this particular game, it is designed for the measurement and speed of the human body and built in size for the duration of one game.
    The activity taking place in such an arena does not resemble anything even close to an actual fight. It could, however, be considered as a stage for the appearance of precision and endurance. Thought has been put into invisible paths upon which people move from object to object; hiding, attacking and hiding again. These objects, or shelters are set upon different levels of the arena; all carrying benefits together with disadvantages, to keep the participants moving.
    Every component of the arena comes from a perspective that might be overlapping with design; operating within a balance between aesthetic and function. An arena like such is a fundamental example of the use of facades as decor. But if every part of an area is decor, then figuratively there is no facade anymore.
    Although sometimes a lot of effort is put into the decoration of such an arena, it does not even wish to illustrate the evocation of an actual war or battle. The goal is not to convince players of a fictional battle taking place, maybe because war imagery has never before been such a taboo and so present at the same time, but a paintball arena tends to abstract the feeling of tension and stress.
    I am intrigued by such places, and in a similar way, by zoo habitats or dioramas. In my practice, I wish to make installations in a similar way, so that the viewer is a tourist, searching for an overarching context. All the works seem to come from a field of aesthetics that sometimes feels unfamiliar within the art context; standing with one leg in the realm of theater or film decor and with the other in the art-world. Sculptures have similarities with archaic finds; almost all like to refer to a (fictional) world outside the installation and often they come into existence from older versions of themselves.
    Sometimes I am able to create a whiff of hypocrisy in the works, since I believe that is in itself, mankind's most human attribute. Also, grim layers can be found in quite a lot of my work, which cannot immediately be seen on the surface. I believe these qualities originate from the way my world view differs from the manner through which I relate to the world. I believe in works that can disagree with themselves; stating opposing things. This is, for me, a way of stepping away from the inevitable polarization that comes along with the use of words and their definitions in describing anything.
    Put shortly, I make art which resembles facades depicting hypocrisy and evoking narration.

    February 2016


Past (selection)

  • 2016 - Happy Like Yesterday (group) Nest (04.09-30.10)
  • 2016 - Stroom Ondertussen (solo) Stroom Den Haag
  • 2016 - Art Brussels (fair) with Nest
  • 2016 - Unfair Amsterdam (fair)
  • 2016 - Art Rotterdam (fair) Prospects & Concepts by Mondriaan Fund
  • 2016 - Unfair X Christies (Auction)
  • 2015 - Contraband (solo) Galerie Gabriel Rolt
  • 2015 - Art Brussels (fair) 1-hour solo, participant of 120 Minutes project.
  • 2015 - Misfit Love (group) Galerie Gabriel Rolt
  • 2015 - Art Rotterdam (fair) represented by Galerie Gabriel Rolt
  • 2014 - Unfair (fair) Amsterdam
  • 2014 - On Observation And Construction (group) Chongqin Air (China)
  • 2014 - Concept Store (group) Nest
  • 2014 - Freizeit Normal (residency) Ampelhaus Oranienbaum
  • 2014 - Detourist (solo) P///akt
  • 2013 - Piet Bakker Prijs (prize) Academiegalerie Utrecht
  • 2013 - Oktoberfest (group) Hotel MariaKapel
  • 2013 - Ernstig Geschikt! (group) Circadit
  • 2013 - Let There Be Light (group) Nest
  • 2013 - Hitherto (group) Kunstpodium T

Awards / Nominations / Stipends

  • 2015 - PRO Invest, Stroom Den Haag
  • 2015 - Werkbijdrage J T + Opdrachtgever, Mondriaanfonds
  • 2014 - Werkbijdrage Jong Talent, Mondriaanfonds
  • 2013 - Incentive award , Cayacz
  • 2013 - Nomination Piet Bakker Prijs, HKU

Guest Speaker / Lecturer

  • 2016 - Fine Arts; 4th year - Utrecht School of the Arts
  • 2016 - School of History, Culture and Communication - Erasmus University
  • 2015 - Faculty Fine Arts & Design - Utrecht School of The Arts
  • 2015 - School of History, Culture and Communication - Erasmus University


  • 2014 - Ampelhaus, Oranienbaum (DE)
  • 2014 - P/////akt, Amsterdam
  • 2013 - Hotel MariaKapel, Hoorn



  • - Ingmar König
    Works and photographs, achronologically
    available for €15 incl postage. contact me

  • my work appeared in Colour Logics
    'Colour in Context'
    Frank Koolen / Fleur van Muiswinkel


  • Frank Koolen, 2013
    Mapping The Landscape
    Museum van Bommel van Dam
  • Zoro Feigl, 2012
    A Matter of Fluidity


  • Bachelor of Fine Art (BFA), 2013
    -with Honours-

    Utrecht School of the Arts
    (Hogeschool voor de Kunsten Utrecht)